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Brushvox vs. Daniel Bedingfield - Rocks Off [Kraft Und Werk RMX]

from Lovageddon Suicide by Brushvox

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www.danielbedingfield.com
www.facebook.com/danielbedingfld

www.stopthetraffik.org

Daniel Bedingfield's pop wizardry earned him a BRIT Award, six U.K. Top 10 singles and 4 million in album sales from 2001 to ’04. But with that success came unforeseen consequences: a protracted contractual tug-of-war with a record label resistant to his artistic growth. Now, after eight years, the songwriter who rocketed to the top of the pop world with “Gotta Get Thru This” is back in a a huge
way, with new batches of genre-splicing, pulse-pounding music that not only appeals to a broad spectrum of fans but reveals Bedingfield's resolve to control his own fate. “The record company simply wanted me to keep repeating the same formula," he says. “If I’d done that, it would have sounded massively dated the moment it came out. Music has to be dangerous. You have to be mortally terrified of everyone hating it, or you’re not doing the right thing. So I don’t mind failure. What I do mind is being stuck in a cage for eight years.” Bedingfield's new material moves adroitly between dance-floor bangers and R&B-spiked rock, between freak-funk and chilling piano ballads, between effects-heavy electro and sunny island reggae. All brim with his distinctive melodic sense and arching romanticism. “There are a million ways of self-expression, and I can’t hold to one style," he says. "There isn’t one sound in my head, there are thousands."

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from Lovageddon Suicide, released November 1, 2012

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Mr. Pan[k]sament image

Mr. Pan[k]sament Romania

I ended up at the microphone of a garage punk-rock band back in 1988 by mistake and fortune, and ever since, I've been "doing" music one way or another with different bands, projects or on my own. I played piano, bass, and some drums and learned to work with computers, samplers, and midi controllers.
I use Propellerhead's Reason, an Alesis keyboard, an Oxygen 8 midi-controller and the Reaper. ... more

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