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We Came To Rock [Doubtful Dub Destruction Mix]

from Doomstep Prophecies by Mr. Pan[k]sament

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Maybe I’m an ignorant, eventually a jerk, but I’m not the kind of man who’s staring at the girls. When it comes to music, I’m blind and I’m listening with my soul and ears. And maybe I’m an ignorant, but till this remix contest at Indaba, I never heard of Nenna Yvonne. At age 21, the Nigerian-born/New York-raised girl it seems to be a pop princess already. Good for her.
She put her song “We Came To Rock” on Indaba to “Turn this pumping House tune into a club-ified hit.” I wasn’t in the dancing mood this time so I twisted this innocent pop song into a sick and contorted underground trip. She probably gonna hate my work, but that’s alright: bad for her, good for me!
Entitled “Doubtful Dub Destruction Mix”, my version will gonna take you right to the dark side. You came to rock? This isn’t a club-ified hit, but a twisted, sick version of the song. This is what I call “doomstep” nowadays. As one of my friend wrote about it:
“Do not expect anything nice on the ear. Expect dark dirt without tiresome Dubstep. One of the most original here.” (crashtv RMX!)

(more @ brushvox.com/2012/01/we-came-to-rock-nenna-yvonnes-remix-contest/ )

Nenna Yvonne - Official Site nennayvonne.com

Indaba remix contest: www.indabamusic.com/opportunities/nenna-yvonne-we-came-to-rock-remix-contest/submissions/87224

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from Doomstep Prophecies, track released January 31, 2012

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Mr. Pan[k]sament Romania

I ended up at the microphone of a garage punk-rock band back in 1988 by mistake and fortune, and ever since, I've been "doing" music one way or another with different bands, projects or on my own. I played piano, bass, and some drums and learned to work with computers, samplers, and midi controllers.
I use Propellerhead's Reason, an Alesis keyboard, an Oxygen 8 midi-controller and the Reaper.
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